Let’s all remember one of the biggest (and one of my favorite) trolls of 2015 by Josh Pan, a collective of about 20 artists and producers. The dream team came together about a year ago and they are constantly releasing tracks made from different combinations of their young and brilliant producers. Mixing up the lot of creatives ensures a fresh track with a new approach every time.

On one of JP’s newest releases, “Fetch,” the New York-based collective joins up with MiL favorite, X & G (collective of only two, Xian and Gaszia based in SLC, Utah), the outcome is a perfect hybrid of the two. “Fetch” is clean and captivating, categorized as some on-point future bass that plays around with unique percussion and psychedelic samples that encourage you to bust out your weirdest dance moves and slither on the floor. We love it!

Grab the jam here:
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Follow X&G on SoundCloud & “Like”them on Facebook

We love Big Wild and we are sure you will too. Falling even harder when we witnessed his set at LiB this year, Big Wild incorporates live percussion into some of the most thought-out tracks we have ever heard. Extremely detailed, comprised of unexpected and beautiful samples that steer far clear of the norm, his tracks take you for a wild ride into an awesome psychedelic, summertime playground where you can dance forever under the sun.

There has been an influx of artists releasing their take on Griz’s rendition of Talib Kweli’s “For the Love.” This one is undoubtedly one of our favorites- bouncy, positive, jazzy and full of color, Big Wild’s music will give you chills.

Just rounding up his set at Splash House in Palm Springs last week, Big Wild is currently on tour with electro-funk god, Griz. We project massive things for this spellbinding producer.

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For those of you who missed the initial hype on the last An-Ten-Nae releases, “Feeling High” and “Oceans Deep,” we are going to blast them together as a 2-for-1!

Midway through a stellar year of transformative festivals, An-Ten-Nae continues to dazzle us, whether it is with his memorable party performances or one of his releases, personal or collaborative, the Bay Area artist doesn’t seem like he will be slowing down anytime soon.

Continuing to evolve as a solo artist, over the past few years An-Ten-Nae has slowly been revealing to us the multitude of faces that continue to keep us intrigue- crunk, urban, trippy, romantic and sexy, all integral in creating not only his sound, but the vibe that he instigates.

The last two releases integrate smooth, but full indie vocals, psychedelic little samples, and pops of anthem-like horns, both providing a heady listen, definitely worth the downloads.

Keep your head in the sky and your body on a mother fuckin’ cloud with “Feeling High”:
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Feel like you are swimming along mermaids in Atlantis with “Oceans Deep”:
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A beautiful track, “Fixed”, originally by future pop artist and Australian singer, George Maple, has been a favorite to remix since it’s release late last year. Maple has a way about her- her voice is so incredibly full, yet somewhat somber, enabling her songs to speak to you far outside of your standard pop vocals. George shares a story that relates to everyone who has been in some type or love, admiration, or fixation.

What we are really fixated on is fellow Australian, Tobiahs’ remix of the future love song. Taking you for a bit of a roller coaster, Tobiahs isolates Maple’s vocals, dropping electronic spurts of Flume inspired synth work that brighten up the future bass track, completely removing any grave sounds or connotation.

Snag a DL below and tell us what you think!
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It goes without saying that Rhianna is one of the biggest divas of the 21st century, whether you are a fan or not, it is inevitable you will always be up to date with her tracks as nearly every one is featured on the radio. The pop princess’ latest has everyone chanting, “Bitch Better Have My Money!” whether a bitch owes you or not.

Like most of the mainstream shit in the US, the love for RiRi is strong across seas, inspiring Parisian producer FAB and English singer Alo Lee to link up for a tasty ass cover of BBHMM.

Compared the the trappy original, the cover categorizes itself along the indie-electronic spectrum, favoring a chilled out disco house beat that makes you seriously question your loyalty to the OG track.

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Ranging from garage to house to electronic- Tchami likes to flirt heavily with booming baselines that roll off your body when you dance.

The French producer and DJ, Tchami (Martin Bresso) has launched to the top extremely quickly. Three huge productions in 2013 enabled Bresso to make name for himself: 1) Producing “Applause,” “Do What U Want,” and “Sexxx Dreams,” from Lady Gaga’s 2013 album, Artpop. 2) Collaborating with fellow Parisian, DJ Snake in his production of the massive hit “Turn Down For What.” 3) Releasing his first EP, “Promesses” under well-known Fool’s Gold Records.

An expeditious and extremely dense resume began to form for Tchami and in return he immediately gained support from some of EDM’s biggest names, such as, Jack U, Diplo, AlunaGeorge and Mercer.avoring a remorseless approach much like his big name admirers, Tchami utilizes pop and R&B vocals to balance out his big future house sound that has proved to be a party favorite.

Tchami continues his roll in 2015, adding Santa Barbara to his upcoming repertoire, October 3rd at Earl Warren Show Grounds with Late Night Society and your friends at Music is Love.

What is Late Night Society? Get ready to enter a new event experience tailored to those who truly live for the night…
LNS is a fully immersive show with high-end custom video, lighting, and audio design powering an experience
unlike anything we’ve attempted yet to date.

⏰Set your alarms to 10:00am THIS FRIDAY ⏰ when tickets go on sale here . There will be a very limited amount of $25 tickets which are expected to go FAST.

In the mean time you can get ready for a night of big bass, house heaven by grabbing Tchami’s follow-up to Confessions #1 with #2 bellow.

Yahtzee! Came across a couple new Yahtzel tracks this morning and listened to them on repeat for an hour straight- both that new new under his mini release, “Art Room,” in addition to “If You Leave.”

Pro tip: if you notice a new artist you dig from Australia, follow them, stalk them, download all their shit- the absolute best shit is coming from down under right now and we personally can’t get enough, recognizing Australia as out go-to for new, progressive electronic music that is not only easy to listen to, but it’s progressive, complex, and interesting.

We love Yahtzel for his undeniable ability to incorporate not only a multitude of sounds, but his knack for turning relatively minimal synth-work into an enchanting and dubious story.

Check out his two releases on Art Room, “Super Grape” and “Plasm” in addition to one of my personal favorites by the 21 yr-old producer, “If You Leave”:

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Immediately pressing “play” to any X and G track I catch, you can find this chick sitting on the edge of her seat for any releases from SLC duo, Xian and Gaszia.

The boys are always keep it progressive and contemporary, but they aren’t shy to remind you of past sounds and trends, whether its a touch of D&B, dubstep, or live instruments that immediately take you to another time and space, they two are not hesitant to mix genres, time periods, and even vibes, often times dramatically changing their whole aesthetic of a song in one swift, and extremely fluid second. This is why I will forever press play on one of their tracks, because I know it will be something completely new.

Check out this dark number ft. dark, rolling, and seductive bass:
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