As die-hard Dirtybird fans, we have had the pleasure of watching Justin Jay grow-up within he past few years from the prodigal producing teen to one of the coolest young DJs to catch in LA.

It feels like just last week the lanky teen was putting out “Femme Fatale” on the (now) world-known house label, Dirtybird. Favoring the label’s crew as a baby high schooler, Jay was barely legal when he put out his first track with DB, making his premier tracks in his dorm room Freshman year. That’s all it took and since then, his audience has been on the edge of their computer seat eagerly waiting for what he releases next.

So, where is Justin Jay today? What does an artist who fulfilled every aspiring house DJ’s dream before he could buy beer do with his time now? Our man is continuing to grow as an artist, expanding his skill-set, and collaborating with his friends in his newest gig, “Justin Jay & Friends.” Funky, danceable, indie rock kissed by something electric, the new project features Jay on the keys and a full-on band that completely embodies cool California vibes.

Despite our influx of mainly electronically focused tracks, we find live music extremely important, influential, and pertinent. We need more artists like Justin Jay- artists that are not afraid to prove their musical talents past the decks.

So, music lovers, “Are you with the band?”

Grab your tickets to Justin Jay’s first docking on his “Fantastic Voyage” tour this Friday 2/26.16  at EOS Lounge HERE and peep some tunes from Justin Jay & Friends below:

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Follow Justin Jay on SoundCloud & “Like” him on Facebook

TPA and Mr. Rogers? Over here thinking, what the hell did we all do right! Jokes, but for real, these two are not only phenomenal on their own, but when they build off each other, some serious magic takes place.

We are all familiar with “Let The Rhythm,” and if you aren’t, you get a little smack on the bottom! Produced by Polish and vocalized by Ayla Nereo and Mr. Lif, this one is not only a festival favorite, but a driving favorite, a chilling favorite, a partying favorite, a sexy time favorite, a “let me share my jams with you” favorite- like all TPA tracks, one to play out without ever feeling like you’ll tire of it. Shit’s so positive and vibes on that high tip, there is absolutely no reason TPA shouldn’t be consistently rocking on your favorite playlists.

Mr. Rogers takes the original feel good and adds his signature glitch and trip-hop to tune, slowing it down, filtering Ayla’s voice into a spacey, robotic angel that belongs swimming through the cosmos.

We LOVE it!

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Follow Mr. Roger on SoundCloud and “like” him on Facebook.

Follow The Polish Ambassador on SoundCloud and “like” him on Facebook.

Suckin’ on my titties like you wanted me, calling me, all the time . . . what else is in the teaches of Peaches? Um, like everything.

Peaches has always been an electronic pioneer, matching sex-driven lyrics with dark electro that makes you feel like your in an underground orgy in Berlin. Always minding visual and cinematic production as well, Peaches music videos remain a favorite long past the MTV TRL hype. Merrill Beth Nisker in a few words is progressive, innovative, and inappropriate- pushing the limits of how much sex she really can spew out in a few minutes.

We are thrilled that Deep Tribe feels the same way about the juicy artist, putting out a remix that does the track 4X4 justice.  Released under LA-based label Perfect Diver, “Sex On The Beaches” is a house and techno infused remix aligning a trippy robotic male vocal alongside the sexpot songstress.

Grab it while you can, this one can only be downloaded for free for a limited time:

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Follow Deep Tribe on SoundCloud & “Like” them on Facebook.

Follow Perfect Driver on SoundCloud & “Like” them on Facebook.

Where do you want to be if the world ends? Better yet, who do you want to be with? We want to be apart of a huge apocalyptic party filled with the dreamers and lovers: we’re looking at you, Yes, YOU!

Let us take a moment to introduce you to TanLayz with his first release of the year, “If the World Should End” – guess what, we are semi-ok with the possible apocalyptic notion, but only because of this track, it makes us feel good, it makes us forget our troubles.

The up-and-coming French producer finds just the right amount of low-key pep denoted by bright synths and future-pop to surround dreamy male vocals reminding us of a less twangy, less depressed, Bon Iver.

TanLayz sound is perfect for those who still love the underground indie scene, but need some elemental dance to go with it!

Make sure to show TanLayz some love on his social media and grab the track below:

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