Artist Profiles Uncategorized

What So Not In Our Backyard

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February 18, 2016
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Hailing from the sandstone bedrock that is Sydney, Australia, ‘What So Not’ (formerly a collaborative project between electronica breakthrough act Flume and its remaining member, the eclectic musical powerhouse Emoh Instead) set their sights on conquering the music world with uniquely electrifying, high intensity live shows and a sound that transcends genre molds and BPMs. Their infectiously innovative take on electronic music production has since caught the attention of dance music heroes like Major Lazer, Skrillex, A-Trak, and Flosstradamus. And with boundary blurring, pacemaking crossover tracks like “Jaguar,” “High You Are,” “The Quack,” “Touched” and their monstrous collaboration with RL Grime, “Tell Me,” What So Not has quickly become a highly coveted, world renowned dance music phenomenon in its short 5 year life.

Despite WSN’s poster child, Flume, dropping out of the equation early last year, Emoh Instead has been holding the namesake down properly since adopting the project by dropping their tunes at every major festival around the world and continuing the evolution of the What So Not brand beyond just the music. Now standing as Emoh Instead’s solo venture, Emoh has been focusing on the next chapter of What So Not by collaborating with various musicians like RL Grime, George Maple, Dillion Francis, Skrillex, and 1970s rock band Toto, as well as teaming up with multiple visual artists and creative minds to submerse live crowds in a complete, one-of-a-kind, What So Not experience.

Luckily for us, this globe trotting, one-man dynamic is being transported to our backyards on Thursday, March 10th for a rare, intimate show at EOS Lounge. Tickets will sell out fast, so be sure to grab yours when they go on sale Friday, February 19th at 10 am here!

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Artist Profiles Uncategorized

Soup Remedy

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February 9, 2016
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A touch of tech, a smidgen of dance, and two handfuls of bass is all you need to make future soup.

You can’t get this recipe from your mom, which is fine, cause she’s always telling you to turn the bass down- GOD MOM! Luckily we have Autograph to give us all those nutrients mama just can’t, in their newest release, “Future Soup”.

The Santa Cruz trio utilizes both electronic and manual instrumental equipment, working with everything from controllers to a marimba, hoping to add more live elements to their project. “Future Soup” is an extremely danceable track, an almost 80’s inspired, tech-diven baseline will get ya good ’n goin’ in itself. Pair it will Patrick Baker’s soulful R&B pipes and you’re sure to have something to bump n’ grind up on, well, at least at the club.

Not feeling at 100%? Grab some soup:
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Artist Profiles Uncategorized

M'$

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January 22, 2016
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The world of west coast bass music seems to be generously overflowing with a talented group of some of the most promising rising stars in the low-end, future bass game; as they’ve almost singlehandedly begun redefining the genre with their innovative take on 808 centered trap/dubstep hybrid productions, and NorCal natives and longtime friends G Jones and Bleep Bloop are situated at the head of the pack.

Trap and bass wonder kid, G Jones, fuses inspiration from his native Northern California roots with his background in dubstep to create a unique hybrid style that boasts hip-hop influences with a future bass twist, while Bleep Bloop’s musical world, on the other hand, is one of stripped back, bass-heavy beats paired with surreal and angular soundscapes that portray a more aggressive and off the wall sound. When their musical forces collide the two producers unleash some serious heat onto the bass music world, as seen with their latest release: a free remix of A$ap Rocky’s track “M’$.” The duo’s A$ap flip delivers the personification of understated, infectious, low-end swag with a massive bass heavy punch.

Download G Jones and Bleep Bloop’s brand new A$ap Rocky remix here!

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Artist Profiles Uncategorized

Let The Robot Rhythm

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January 22, 2016
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TPA and Mr. Rogers? Over here thinking, what the hell did we all do right! Jokes, but for real, these two are not only phenomenal on their own, but when they build off each other, some serious magic takes place.

We are all familiar with “Let The Rhythm,” and if you aren’t, you get a little smack on the bottom! Produced by Polish and vocalized by Ayla Nereo and Mr. Lif, this one is not only a festival favorite, but a driving favorite, a chilling favorite, a partying favorite, a sexy time favorite, a “let me share my jams with you” favorite- like all TPA tracks, one to play out without ever feeling like you’ll tire of it. Shit’s so positive and vibes on that high tip, there is absolutely no reason TPA shouldn’t be consistently rocking on your favorite playlists.

Mr. Rogers takes the original feel good and adds his signature glitch and trip-hop to tune, slowing it down, filtering Ayla’s voice into a spacey, robotic angel that belongs swimming through the cosmos.

We LOVE it!

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Artist Profiles Uncategorized

Peachy Keen

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January 22, 2016
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Suckin’ on my titties like you wanted me, calling me, all the time . . . what else is in the teaches of Peaches? Um, like everything.

Peaches has always been an electronic pioneer, matching sex-driven lyrics with dark electro that makes you feel like your in an underground orgy in Berlin. Always minding visual and cinematic production as well, Peaches music videos remain a favorite long past the MTV TRL hype. Merrill Beth Nisker in a few words is progressive, innovative, and inappropriate- pushing the limits of how much sex she really can spew out in a few minutes.

We are thrilled that Deep Tribe feels the same way about the juicy artist, putting out a remix that does the track 4X4 justice.  Released under LA-based label Perfect Diver, “Sex On The Beaches” is a house and techno infused remix aligning a trippy robotic male vocal alongside the sexpot songstress.

Grab it while you can, this one can only be downloaded for free for a limited time:

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